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  Never Mind EMI, Here Comes Quazimodo by David Daspit  
  Anon  
     
     
     
     
     
 
Never Mind EMI, Here Comes Quazimodo

by David Daspit


This past Friday, local band Quazimodo kicked out the jams at the Shire. Words fail me in describing them. One way would be to compare them to the Rolling Stones of the '60s but that seems inadequate. They are much better. Although they played for only two hours, time stood still and when it was over. I wanted it to keep going but like all good things, it had to end.


There are no good words to describe the intensity of their music that are not absolutely cheesy and weak but something must be used so. Quazimodo's music is raw, edgy, and intense, one could even say compelling. The latter is probably the best description. There was no ignoring them when they were on the stage.

Quazimodo could be described as a "power trio" similar set-up to Cream but in a different league all together. Even though they use the same instrument arrangement (guitar, bass, and drums), the music is not similar at all. Frank Vazzano is both lead singer and guitarist for the group. When asked about playing at the Shire, he said that it was different from their usual gigs. mostly because it was twelve hours earlier and people weren't as drunk. Despite the earlier time of day. the trio. Which included Ed Maroli on bass and Jerry Hentsch on drums, was in complete harmony with each other. Their timing was perfect.

The music tends to be a pure blues-based rock type that is a wonder to both listen to and enjoy. The band itself conveyed a wide range of emotions from intense driving rock to seductive softness. They had both artistic and technical excellence. The music had broad audience appeal whether they were doing original or covered material.

The first set was primarily original material with a few covers thrown in to add some variety to the show. Quazimodo did an intense cover of Bruce Springsteen's "Born To Run," which Vazzano said is his favorite, and it shows. The band obviously was having a good time on stage. Although they did covers ranging from the Rolling Stones to the Mice. Their effors were not wasted by solely being a cover band. Their original material was powerful. They did great justice to the songs they did cover including incredible versions of the Stones' "As Tears Qo By" and "Paint It Black." Although originally, the former was a slow song, the fast driving version by Quazimodo added a different dimension to the lyrics, the same with "Paint It Black."

Despite the small lunch time crowd, the band put on a great show. Unfortunately, the Shire is not really the greatest location for bands of this caliber, about a fourth of the audience is positioned behind a large central pillar and the pinball machines, thereby missing some of the performance, and the acoustics leave much to be desired. There is still something to be said for the fact that the Shire does have these weekly concerts with both well-known and not-so-well-known local bands.

This was the third concert at the Shire. If you missed this. you have plenty of other opportunities for great music right here in your own back-yard. and the concerts are free. The next Friday concert will be Mr. Downchild on november 4 and the Wednesday Jazz series will see the return of Joe DeJarnette on October 26. All shows are from noon until 2 p.m.

This article originally appeared in the Cleveland State Cauldron, Vol 65, Issue 12 on Monday, October 24, 1994
  Everytime I hear someone say a certain band or a certain song saved their life or helped 'em get through some hard times I tend to cringe. But I'll never forget that Quazi Modo show at Pat's In The Flats back in March 99. (I think they were opening for Satan's Satellites as part of Black Label Beer Night). I was dealing with a bunch of personal problems at the time including some serious family illnesses and was feeling really bad about a lot of different things and I remember just kicking back and grooving to their great music and -- as sappy as it sounds -- feeling 100% better when it was all over. Details are kinda fuzzy but I distinctly recall that when they broke into their cover of "Smile A Little Smile For Me (Rose Marie)" near the end of the set I felt this weird wave of relief overtake me and it was just the coolest thing. So thanks, guys!
(anon)
   

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